This blog is now structured with the essential categories required for you to post Assignments and Projects in for your learning log entries. It is intended to just help you get started with your OCA Learning log, and you may wish to customise it to suit your particular course.
Although we have provided the essential categories needed for your learning log, you will still need to set up your ‘Main’ menu through the Appearance section of the Dashboard, under the Menus section. Just select the menu you want to edit (Main) and then under the Categories ‘All’ menu, tick each category that you would like to be viewable through your blog’s menus and click the ‘Add to menu’ button. You can then drag and drop each item into hierarchies of menus and sub menus, as below in the ‘Menu Structure’ pane:
When making new posts, you just need to add a tick next to each category that the post relates to. The categories options can be found in the right-hand column whenever you create or edit a post.
You can select more than one category if appropriate; for example, your first Assignment can be categorised under Assignments, Assignment 1, and Part 1. Make sure you tag a post with at least one category, or it may not be visible through your blog’s navigation.
To learn how to keep a blog, the WordPress help pages are invaluable as a learning resource: http://en.support.wordpress.com/
We would like to thank OCA Photography tutor Robert Enoch for providing this template for OCA students to use to get started with their Learning (b)logs.
These are videos I've watched there are a lot more than this but most were on-line from YouTube and similar.
David duChemin - CreativeLIVE Workshop
Douglas Kirkland on Photography Natural Light Portraiture
Kelby - Mastering Selections in CS5 with David Cross
Kelby Training - A Day with Jay Maisel
Kelby Training - Architectural Photography
Kelby Training - Creative Lighting for Photographers
Kelby Training - Fixing Photographic Problems With Adobe Photoshop
Kelby Training - Food Photography
Kelby Training - How to Photograph Beautiful Brides
Kelby Training - James Schmelzer - Senior Portraits - Lighting Techniques
Kelby Training - Joe McNally - Using Small Flashes
Kelby Training - Landscape Photography (with Moose Peterson)
Kelby Training - Live Wedding Shoot, Start to Finish
Kelby Training - Mastering Multiple Exposures Using Advanced Flash Techniques
Kelby Training - On Location Photography Pt.2
Kelby Training - One Light Lighting
Kelby Training - Photographing Children
Kelby Training - Photoshop CS5 Automation Basics
Kelby Training - Romancing the Landscape, Part 2
Kelby Training - Shooting Fashion Models On-Location
Kelby Training - Ten Essential Studio Techniques Every Photographer Needs to Know
Kelby Training - The Business Side of Photography - Rick Sammon
KelbyTraining - Wedding Photography - Rapid-Fire Tips and Tricks
KelbyTraining On Location Photography With Jeremy Cowart
OneLight Photography Workshop 2 DVD Photography tricks PeachPit Photoshop with Matt Kloskowski 2010
PixelPerfect - Photography with Stephen Johnson
Kelby Training - Architectural Photography
Kelby Training - Edgy Photography
Kelby Training - Quick Composites From Photo to Finish
Kelby Training - Why Fake It When You Can Create It
KelbyTraining - Another Day with Jay Maisel
these are books I've read at some point in the last year or so.
Black and White in Photoshop CS4 and Lightroom
Blue Pixel Guide to Travel Photography - The Perfect Photos Every Time
Chasing the Light - Improving Your Photography with Available Light (Malestrom)
Course Technology - 101 Quick and Easy Ideas Taken from the Master Photographers of the Twentieth Century
Digital Photography Lighting For Dummies - (Malestrom)
Focal Press - Exploring Color Photography Fifth Edition
Focal Press - The Manual of Photography(Tenth Edition)
Focal Press - The Photoshop Darkroom 2
Illustrated Dictionary of Photography 
Langford's Basic Photography - The Guide for Serious Photographers 9th Ed - 2010
Langfords Basic Photography - The Guide for Serious Photographers 9th Ed. (Malestrom)
Light - Science and Magic 3rd Edition (Malestrom)
Lynda.com - Adobe After Effects Project Workflow
Night Photography - Finding your way in the dark (2010) (Malestrom)
Photo Fusion - A Wedding Photographers Guide to Mixing Digital Photography and Video
Photography - The Art of Composition
Photography and Philosophy
Portrait Photography - Secrets of Posing & Lighting
SIMPLY Digital Photography - 2010
Speedliter's Handbook - Learning to Craft Light with Canon Speedlites - 2011
Strobist Photo Trade Secrets Volume 2
Taschen - 20th Century Photography
The Best Of Wedding Photography (2005)
The Ultimate Guide to Digital Photography 4 - 2010
For this exercise I a decided to show you all the shots that I took minus the test shots. I think that the last few photos are the best
in that they have more interest because of the chosen subject matter. I tried with reposition 1 and 2 to make a more defined composition by
making a regular shape without making it look unnatural. I think that the use of shape as a subject using the squares/rectangles and swirl/circles add interest in a graphical sense. It seems to make more graphically from very little substance subject wise.
in the last week I have read several photographic magazines and watched a few kelby training videos there was an interesting one with Jay Maisel the social documentary photographer.
I’ve just been looking at some books on photography and reflecting on the contrasts assignment. I feel the I made some good choices now because of choosing to do all still life and I feel that making the subjects linked as pair through subject and processing has given the album a varied theme. So I feel that although some contrasts aren’t that obvious they work as a whole I did try to make one of the contrast easier to work out but felt that they might not be acceptable but I’ll post them here so you can see my train of thought.
The photo magazines say that you can make interesting photo’s out of almost anything. What they don’t tell you is that it doesn’t mean they’ll be any good from an artistic point of view!
I really struggled with the contrasts project. I feel A bit like I could have got some better Ideas, I’m starting to struggle for subject matter. I think that I’m going to find it harder as it goes along the course, because its really difficult not to do the same old things. I want to be different to take picturess the way I see things but It’s hard to fit that into a course format .
I decided to add my contact sheets for this project. These are most of the shots for the project but not all of them because I didn’t keep some of the badly exposed and composed shots. I think the contacts show some of the decisions I made in choosing my final shots.
I took the black and white shots intending to invert the colours and turn them black and white.
The black shot is the leaf on some A4 paper with the paper blown-out to take out any texture. I converted the shot to black and white
in Lightroom. Then added quite a lot of blacks with the blacks slider to make the leaf as dark as possible.
With the white shot, shot on the black underside of a mouse mat. I overexposed the leaf in Lightroom while keeping the back dark to produce the effect as seen.
For this set I had a hard time thinking of something good to shoot whilst keeping the connection between the two shots I eventually settled on this. Both were processed in the same way they are converted to black and white then cross processed.
I had this idea to use a cross processed look to make the pictures look like a murder weapon I think it worked out quite well.
I tried to add a hazy feel to these shots using the clarity slider all the down.
“saturation and angle of view”
I used this contrast to turn it on it’s head a bit I did high and low saturation as well as angle of view.
These started off as dead and alive but I then reread the contrasts assignment so I did some reprocessing to make this dark and light
I think it works quite well.
This shot was taken on a photo walk in the town centre in Leeds. I was looking for interesting social documentary shots I was shooting through fences and reflections of people in windows I was using anything I could to stay away from the conventional. this was taken through the henry more outside the art gallery. I feel that it is perfect for this contrast assignment because of it showing that I’m not just a still life photographer.